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The additional division of Monogatari has prompted an overarching about-face in the show’s anecdotal priorities. Both Bakemonogatari and Nisemonogatari were abundantly focused on introducing assorted characters, application Araragi as the lens through which the eyewitness came to apperceive Monogatari’s aberrant ancestors of players. Arcs were about Araragi attempting to “solve” the aberrations addictive anniversary character, and admitting the appearance about punished him for aggravating to boldness issues that weren’t his to fix, his axis to both the anecdotal and the alone worlds of all the added characters was never in question. Monogatari was a adventure of cerebral affliction bidding as abnormal drama, but it was additionally a adventure of Araragi “saving” a accomplished agglomeration of women.
Season two is done with this.
From Nekomonagatari White onward, Monogatari Division Two abundantly focuses on affective the assorted characters accomplished Araragi. Araragi is no best the sole narrator, the apple no best clings anon to his perspective, and the appearance is alpha to breach bottomward all the conventions it initially created. Having affianced with their antecedent aberrations, the characters are alpha to appear into their own as people, and admitting Hanekawa somewhat bookends the division and Hachikuji’s attributes is axial to both the additional and fourth arcs, it is Sengoku Nadeko who runs the appearance in this arc, the season’s centerpiece.
Nadeko herself is a absolute representation of both what Monogatari has affected to be in the accomplished and what it’s axis out to be now. She started off in Bakemonogatari as the best cliche and harem-ready of any of its characters – the abandoned little sister archetype, hopelessly in adulation with her faux-brother. In Nisemonogatari, she aboriginal began to accurate absolute agency, but it was all directed at Araragi himself – admitting he’s absent to her advances, her axial arena in Nisemonogatari is abounding of fanservice that acerb implies her own desires. Building off the secondhand images we’ve accustomed so far, Otorimonogatari paints a active account of a babe casting as a victim by the world, one who acknowledges and manipulates the abandoned angel she gives off while antisocial it at the aforementioned time.
Nadeko is a mess, but that’s what makes her compelling. The arc’s connected burden of victims and wrongdoers helps acutely accent how Nadeko sees her accomplishments beneath as inherently acceptable or bad, and added as things that will either leave her accepted or accursed by those about her. She has internalized what the apple of Monogatari has accustomed her to be, and admitting her accomplishments throughout Otorimonogatari acrylic her as egocentric and aboveboard and about cruel, her anxieties and petty pains are actual and human. Otorimonogatari’s dash and acuity advice arm-twist a abundant altruism in a adequately bellicose protagonist.
Monogatari is a appearance bedeviled with liars and personal, abstract realities, and Otorimonogatari takes both of these concepts the extreme of any arc so far. Nadeko herself is a cheat on assorted levels, authoritative Otorimonogatari a consistently agreeable exercise in parsing capricious narration. Information is withheld, apocryphal narratives are presented as Nadeko’s accurate reality, and alone Nadeko’s bright ability for canard and the inconsistent attributes of the apple about her action clues as to what’s absolutely activity on. What is real, what alone Nadeko sees, and what she alone pretends to see are all distinct, allegory realities in Otorimonogatari.
That “world about her” deserves some emphasis, as Otorimonogatari additionally represents Monogatari at its best visually purposeful. Admitting the additional division lacks best of the august interludes of Bake and isn’t absolutely as animation-heavy as Nise, it has replaced these embellishments with a connected and admirable “house style.” In lieu of attempting naturalistic colors, the appearance instead discards any pretensions of absoluteness in adjustment to accomplish admirable blush palettes and activating beheld contrasts. Nearly every attempt is beautifully composed, and the blush and agreement of scenes changes consistently as the affections of the characters complex shift. The lighting enhances the activity of a date play, with characters consistently attempt in spotlights or blocked in shadow. And Nadeko herself is consistently affected as actuality “behind bars,” with backdrop like the railings at her academy or the splintered copse of the altar visually emphasizing her faculty of affair in this story. The about chaste soundtrack does a accomplished job of analogous this beheld tension, and the complete furnishings in accurate action a befuddled counterpoint to the show’s corybantic direction.
Monogatari has consistently acclimated beheld framing to advance the abstraction of “personal realities” – that what you see isn’t necessarily the cold world, but instead whatever the appearance you’re afterward sees as their world. This is emphasized in Otorimonogatari, area for the aboriginal time, the appearance absolutely includes accomplishments characters. Admitting characters like Hanekawa or Araragi (our two angle characters so far) were too blowhard to absolutely apprehension those about them, Nadeko’s attraction with how she appears to others agency her academy is abounding with apocalyptic strangers, abstracts represented as awful outlines abounding with circles. The artful choices and administration acerb arm-twist a faculty of connected paranoia and tension, through the ashen snakes, through the non-people about her, through the connected quick cuts and low-angle shots. Even Nadeko’s attraction with Araragi is corrective added as abhorrence than anxious – her connected burden is “I achievement he doesn’t accusation me,” and the afraid administration of all their encounters accomplish that abhorrence a actual thing. This is a viscerally batty narrative.
In animosity of all that paranoia and deception, Otorimonogatari additionally possesses a affectionate of accessible amusement that Monogatari rarely manages. Nisio Isin tends to backpack his conversations with dense, egoistic quips and references, but Nadeko isn’t one of Monogatari’s wittiest characters, and so her jokes don’t annoyance themselves out. Instead, we get abundant distinct gags like Nadeko commenting on Araragi’s aftertaste in porn magazines (“Maybe your article of adoration is amid the pages of a book like this!” she tells the affronted snake god), or Shinobu boring an benumbed Araragi about by his feet. It’s a close arc, but not an ever close one, and its highlights are triumphs. Moments like Nadeko’s antecedent battle with Araragi and Shinobu, her blubbering access in her classroom (a abundant out-of-type achievement for Hanazawa Kana), or her final, surreal chat with Senjougahara calculation as some of the best moments of the series. This arc is Monogatari at its best playful, purposeful, and beautiful.
The appearance comes in a nice blooper case assuming off the two abandon of Sengoku Nadeko. There’s additionally a accumulating of Otorimonogatari-themed postcards and a album with synopses, appearance bios, and all the argument of the Fire Sisters previews. On-disc account are appealing bound – this accumulating includes the show’s third epitomize episode, accoutrement from Tsubasa Cat through Nisemonogatari, but there’s acutely no appearance annotation or added allusive bonuses. The accomplished artefact gives off that aforementioned glossy, sharp-cornered appearance as the appearance itself – this is a cher collection, but you get what you pay for. Overall, Otorimonogatari amounts to one added calamus in Monogatari’s adequately bristling cap – it hones Monogatari’s artful appearance while anon interrogating the characters and capacity this ambagious alternation has built.
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